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Battafarano, Italo Michele. "Alraun, Mandragora, Galgen-Männlin: Mattioli, Praetorius, Grimmelshausen." In Italo Michele Battafarano, ed. Glanz des Barock: Forschungen zur deutschen als europäischer Literatur. Bern: P. Lang, 1994. 186-205.
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Briggs, Katharine Mary. Pale Hecate's Team: An Examination of the Beliefs on Witchcraft and Magic among Shakespeare's Contemporaries and His Immediate Successors. London: Routledge and Kegan Paul, 1962.
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Brownlow, F. W. Shakespeare, Harsnett, and the Devils of Denham. Newark, NJ: University of Delaware, 1993.
Bulwer, Kathryn M. La Femme-demon: figurations de la femme dans la littérature fantastique. New York: P. Lang, 1995.
Bush, Douglas. Pagan Myth and Christian Tradition in English Poetry. Philadelphia: American Philosophical Society, 1968.
Camporesi, Piero. The Fear of Hell: Images of Damnation and Salvation in Early Modern Europe. Cambridge: Polity, 1991.
Castelli, Enrico, ed. Cristianesimo e ragion di Stato: L'Umanesimo e il demoniaco nell'arte. Roma: Fratelli Bocca, 1952.
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__________. "L'Apocalypse en 1500: La Fresque de l'Antéchrist à la chapelle Saint-Brice d'Orvieto." BibliothŠque d'Humanisme et Renaissance 14 (1952): 124-40.
Clark, James William. "The Tradition of Salem Witchcraft in American Literature." Durham, NC: Unpublished Ph.D. dissertation, Duke University, 1970.
Clark, Stuart. "Tasso and the Literature of Witchcraft." In J. Salmons and J. Moretti, eds. The Renaissance in Ferrara and its European Horizons. Cardiff: University of Wales Press, 1984. 3-21.
Comensoli, Viviana. "Witchcraft and Domestic Tragedy in The Witch of Edmonton." In Jean Brink et al., eds. The Politics of Gender in Early Modern Europe. Kirksville, MO: Sixteenth-Century Journal, 1989. 43-59.
Corbin, Peter and Douglas Sledge, eds. Three Jacobean Witchcraft Plays. Manchester: University of Manchester Press, 1986.
Costa, Gustavo. "Love and Witchcraft in Gianfrancesco Pico della Mirandola: La strega Between the Sublime and the Grotesque." Italica 67 (1990):427-39.
Craig, Terry Anne. Witchcraft and Demonology in Renaissance English Literature. Pittsburgh, PA: Unpublished Ph.D. dissertation, Duquesne University, 1978.
Davidson, Jane. "Great Black Goats and Evil Little Women: The Image of the Witch in Sixteenth-Century German Art." Journal of the Rocky Mountain Medieval and Renaissance Association 6 (1985): 141-57.
__________. The Witch in Northern European Art, 1470-1750. Freren: Luca, 1987.
Delaruelle, Étienne. "L'Ant‚christ chez S. Vincent Ferrier, S. Bernardin de Sienne, et autour de Jeanne d'Arc." In Étienne Delaruelle, ed. La Piété populaire au moyen âge. Torino: Bottega di Erasimo, 1975. 329-54.
Dette, Midge. "The Witches of Arthur Miller." Commentary 103 (1997): 54-? Dezseran, Louis John. "Shakespeare's Usage of Witchcraft as a Dramatic Element in Macbeth and the Varying Approaches to Staging the Witch Scenes in Representative Subsequent Productions." Detroit: Unpublished Ph.D. dissertation, Wayne State University, 1968.
Dolan, Frances. "'Ridiculous Fictions': Making Distinctions in the Discourses of Witchcraft." Differences 7 (1995): 82-110.
Dresen-Coenders, Lene. "Witches as Devils' Concubines: On the Origin of Fear of Witches and Protection against Witchcraft." In Saints and She-Devils: Images of Women in the Fifteenth and Sixteenth Centuries London: Rubicon, 1987. 59-82.
Edgerton, S. Y., Jr. Pictures and Punishment: Art and Criminal Prosecution During the Florentine Renaissance. Ithaca, NY: Cornell University Press, 1985.
Ferguson, Helen Myatt. "Nathaniel Hawthorne and Charles Wentworth Upham: The Witchcraft Connection." College Park, MD: Unpublished Ph.D. dissertation, University of Maryland, 1980.
Frängler, Wilhelm. The Millenium of Hieronymous Bosch. Chicago: University of Chicago Press, 1952.
Frank, Frederick S. "The Masks of Summers." The Scriblerian 23 (1990): 1-5.
Giesen, Rolf. "Queens of Horror, böse Märchenhexen, zauberhafte Frauen: Hexenfiguren in Film, Trickfilm, und Filmkomödien." In Richard van Dülmen, ed. Hexenwelten: Magie und Imagination vom 16.-20. Jahrhundert. Frankfurt-am-Main: Fischer Taschenbuch, 1987. 253-81.
Greenblatt, Stephen Jay. "Shakespeare and the Exorcists." In his Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Oxford: Clarendon, 1988. 94-128.
Grillot de Givry, Émile. Picture Book of Sorcery, Magic, and Alchemy. New York: University Books, 1963.
Grinnell, Richard W. "English Demonology and Renaissance Drama: The Politics of Fear." Minneapolis: Unpublished Ph.D. dissertation, University of Minnesota, 1992.
Gulstad, William Olaf. "The Forms of Things Unknown: The Impact of Reginal Scot's skeptical treatise, The Discoverie of Witchcraft, on A Midsummer Night's Dream, King Lear, and The Tempest." Champaign-Urbana: Unpublished Ph.D. dissertation, University of Illinois, 1994.
__________. "Mock-Trial or Witch-Trial in King Lear?" Notes and Queries 41 (1994): 494-97.
Hadfield, Andrew. "A Possible Source of the Horse-corser Episode in Marlowe's Doctor Faustus." Notes and Queries 39 (1992): 303-04.
Halbey, Marianne. 66 Hexen: Kult und Verdammung. Dortmund: Harenberg, 1987.
Harris, Anthony. Night's Dark Agents: Witchcraft and Magic in Seventeenth-Century English Drama. Manchester: Manchester University Press, 1980.
Hartlaub, Gustav F. Hans Baldung Grien: Hexenbilder. Stuttgart: Reclam, 1961.
Hattaway, Michael. "Women and Witchcraft: The Case of the Witch of Edmonton." Trivium 20 (1985).
Helman, E. F. "Younger Moratin and Goya: On 'duendes' and 'brujas'." Hispanic Review 27 (1959): 103-22.
Hendrickson, Gary P. "The Last Analogy: Arthur Miller's Witches and America's Domestic Communists." Midwest Quarterly 33 (1992): 447-55.
Hoak, Dale. "Art, Culture, and Mentality in Renaissance Society: The Meaning of Hans Baldung Grien's Bewitched Groom." Renaissance Quarterly 38 (1985): 488-510.
__________. "Witch-Hunting and Women in the Art of the Renaissance." History Today 31 (1981): 22-26.
Hughes, Merritt Y. "Spenser's Acrasia and the Circe of the Renaissance." Journal of the History of Ideas 4 (1943): 381-99.
Hult, Linda. "Baldung and the Witches of Freiburg: The Evidence of Images." Journal of Interdisciplinary History 18 (1987): 249-76.
__________. "Heinrich Baldung Grien's Weather Witches in Frankfurt." Pantheon 49 (1982): 124-30.
Huxley, Aldous. The Devils of Loudon. New York: Harper and Row, 1952.
Isaac, Megan Lynn. "Stages of Witchcraft: Occult Beliefs of Early Modern English Drama." Berkeley, CA: Unpublished Ph.D. dissertation, University of California, 1994.
Jacoby, Mario, Verena Kast and Ingrid Riedel. Witches, Ogres, and the Devil's Daughter: Encounters with Evil in Fairy Tales. Boston: Shambhala, 1992.
Johnson, Claudia. Understanding "The Crucible": A Student Casebook to Issues, Sources, and Historical Documents. Westport, CT: Greenwood, 1998.
Jong, Erica. Witches. New York: Harry N. Abrams, 1997.
Jung, Frank. "Magisch-moralische Detungsmuster und empirische Naturanalyse? Der "Hexenglaube" in Grimmelshausens Courasche." Simpliciana 16 (1994): 287-309.
Keenan, Mary Emily. "The Terminology of Witchcraft in the Works of Augustine." Classical Philology 35 (1940): 294-97.
Kemper, Tobias A. "Lufftfahrt und Hexentantz: Zauberei und Hexenprozess in Grimmelshausens Simplicissimus." Simpliciana 19 (1997): 107-307.
Kernan, Alvin. The Playwright as Magician: Shakespeare's Image of the Poet in the English Public Theater. New Haven, CT: Yale University Press, 1979.
Klinkhammer, Heide. Schatzgräber, Weisheitssucher und Dämonenbeschwörer: die motivische und thematische Rezeption des Topos der Schatzsuche in der Kunst vom 15. bis 18. Jahrhundert. Berlin: Gebr. Mann, 1992.
Kocher, Paul. "The Witchcraft Basis in Marlowe's Faustus." Modern Philology 38 (1940): 9-36.
Koopmans, Jelle. Le Theâtre des exclus au Moyen Age: hérétiques, sorcièrs, et marginaux. Paris: Éditions Imago, 1997.
Krap, Frans W. Emmeken, ik ben 'sduuels amie: neerslag van een onderzoek naar het heksen-profiel van rond 1500 en van het speuren naar onderdelen daarvan in het drama Marieke van Nieumeghen. Nijmegen: Alfa, 1983.
Ladurie, Emmanuel Le Roy. La Sorcière de Jasmin. Paris: Éds. du Seuil, 1983. Trans. as Jasmin's Witch. London: Scolar, 1987.
Lampe, Hans-Sirks. "Die Darstellung des Teufels in den geistlichen Spielen Deutschlands: Von den Anfangen bis zum Ende des 16. Jahrhunderts." München: Unpublished Ph.D. dissertation, University of München, 1963.
Lehner, Ernest and Johanna Lehner. Devils, Demons, Death, and Damnation. New York: Dover, 1971.
Leinweber, David Walter. "Witchcraft and Lamiae in The Golden Ass." Folklore 105 (1994): 77-82.
Leuschner, Kristin Jeanne. "Creating the 'Known True Story': Sixteenth and Seventeenth Century Murder and Witchcraft Pamphlets and Plays." Los Angeles: Unpublished Ph.D. dissertation, University of California, Los Angeles, 1992.
Leutenbauer, Siegfried. Hexerei und Zaubereidelikit in der Literatur von 1450 bis 1550 mit Hinweisen auf die Praxis im Herzogtum Bayern. Berlin: Schweitzer, 1972.
Levack, Brian, ed. Witchcraft and Demonology in Art and Literature. Volume 12 of his Articles on Witchcraft, Magic, and Demonology: A Twelve-Volume Anthology of Scholarly Works. New York: Garland, 1992.
Levin, David. "Salem Witchcraft in Recent Fiction and Drama." New England Quarterly 28 (1955): 537-46.
Levine, Nina S. "The Case of Eleanor Cobham: Authorizing History in 2 Henry VI." Shakespeare Studies 22 (1994): 104-21.
Lorenzi, Lorenzo. Devils in Art: Florence, From the Middle Ages to the Renaissance. Firenze: Centro Di, 1997.
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Manzor-Coats, Lillian. "Of Witches and Other Things: Maryse Conde's Challenges to Feminist Discourse." World Literature Today 67 (1993): 737-44.
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Marrow, James H. and Alan Shestack, eds. Hans Baldung Grien, Prints and Drawings: National Gallery of Art, Washington, From Jan. 25 Through Apr. 5 and Yale University Art Gallery, New Haven, Apr. 23 Through June 14, 1981: Exhibition. New Haven: Yale University Art Gallery, 1981.
Mathur, Kailash Chandra. Witches' Cauldron: A Study of Motive in Shakespeare's "Macbeth". Lucknow: Pustak Kendra, 1977.
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Geish, H. B., ed. A Short Rehearsal of the Sad Condition of Three of the Children of John Baldwin of Sarret in the County of Hertford and also of the Manner of their Deliverance, 1717. Bishop's Stortford: n.p., 1915.
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__________. The Trial of the Lancaster Witches, A. D. MDCLXII. Ed. G. B. Harrison. London: A. P. Davies, 1929.
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New England
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__________ and Stephen Nissenbaum. Salem Possessed: The Social Origins of Witchcraft. Cambridge, MA: Harvard University Press, 1974.
__________, ed. Salem-Village Witchcraft: A Documentary Record of Local Conflict in Colonial New England. Belmont, MA: Wadsworth, 1972.
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__________. The Salem Witchcraft Trials: A Legal History. Lawrence, KS: University Press of Kansas, 1997.
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__________, ed. What Happened in Salem?: Documents Pertaining to the Seventeenth Century Witchcraft Trials. 2nd ed. New York: Harcourt, Brace, 1960.
Lovejoy, David S. "Between Hell and Plum Island: Samuel Sewall and the Legacy of the Witches, 1692-1697." New England Quarterly 70 (1997).
Mappen, Marc. Witches and Historians: Interpretations of Salem. 2nd ed. Malabar, FL: Krieger, 1996.
McMillan, Timothy J. "Black Magic: Witchcraft, Race, and Resistance in Colonial New England." Journal of Black Studies 25 (1994): 99-117.
McMillen, Persis W. Currents of Malice: Mary Towne Esty and her Family in Salem Witchcraft. Portsmouth, NH: P. E. Randall, 1990.
Middlekauff, Robert. The Mathers: Three Generations of Puritan Intellectuals. New York: Oxford University Press, 1971.
Parke, F. N. "Witchcraft in Maryland." Maryland Historical Magazine 31 (1936): _____.
Parris, Samuel. The Sermon Notebook of Samuel Parris, 1689-1694. Ed. James Cooper and Kenneth Minkema. Boston: Colonial Society of Massachussetts, 1994.
Reis, Elizabeth. Damned Women: Sinners and Witches in Puritan New England. Ithaca, NY: Cornell University Press, 1997.
__________. "The Devil, the Body, and the Feminine Soul in Puritan New England." Journal of American History 8 (1995): 15-36.
__________. Spellbound: Women and Witchcraft in America. Wilmington, DE: Scholarly Resources, 1998.
Robinson, Enders A. The Devil Discovered: Salem Witchcraft, 1692. New York: Hippocrene, 1991.
Rosenthal, Bernard. Salem Story: Reading the Witch Trial of 1692. Cambridge: Cambridge University Press, 1994.
Rumsey, Peter Lockwood. Acts of God and the People, 1620-1730. Ann Arbor, MI: UMI Research Press, 1986.
Sargent, Mark L. "The Witches of Salem, the Angel of Hadley, and the Friends of Philadelphia." American Studies 34 (1993): 105-20.
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Swan, Marshall. "The Bedevilment of Cape Ann, 1692." Essex Institute Historical Collections 117 (1981):153-77.
Taylor, John. The Witchcraft Delusion in Colonial Connecticut, 1647-97. New York: Grafton, 1908.
Trask, Richard. The Devil Hath Been Raised: A Documentary History of the Salem Village Witchcraft Outbreak of 1692. West Kennebunkport, ME: Phoenix, 1992.
Upham, Charles. Salem Witchcraft: With an Account of Salem Village, and a History of Opinions on Witchcraft and Kindred Subjects. 2 vols. Boston: Wiggin and Lunt, 1867.
Weisman, Richard. Witchcraft, Magic, and Religion in Seventeenth- Century Massachusetts. Amherst, MA: University of Massachussetts, 1984.
Werking, Richard. "`Reformation Is Our Only Preservation;' Cotton Mather and Salem Witchcraft." William and Mary Quarterly 29 (1972): 281-90.
Wilson, Lori Lee. The Salem Witch Trials: How History is Invented. New York: Lerner, 1996.
Woodward, William, ed. Records of Salem Witchcraft Copied from the Original Documents. 2 vols. Roxbury, MA: W. E. Woodward, 1864.
Yool, George Malcolm. The 1692 Witch Hunt: A Laymans Guide to the Salem Witchcraft Trials. Bowie, MD: Heritage Books, 1992.
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